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St
Mary The Virgin, Isle Abbots, Somerset
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St
Michael & All Angels Church, Hopton Wafers, Shropshire
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Architect:
Client:
PCC St Michael & All Angels
Church
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Description: This substantial Tomb
of Thomas and Lucy Botfield in the churchyard of St Michael’s Church,
required dismantling due to extensive movement and instability within its
structure. The programme of
work requires conservation of existing sections, carving missing elements,
providing new footings and rebuilding the Tomb with lime mortar.
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Farleigh
Hungerford Castle
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Architect:
Client: English Heritage
Our
current work programme involves masonry repairs to the East tower and the
retaining walls to the East approach, along with areas of rebuilding the
rubble stone walls. In 2004
and 2005 an extensive programme of consolidation, pointing and masonry
repairs to the castle walls was undertaken by Strachey & Strachey
Conservation including the conservation of the Chapel floor.
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St
Mary's Church, Llanfair Kilgeddin
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Architect: PM
Bartosch
Client: Friends
of Friendless Churches
Description: The
secluded church of St Mary hides an extraordinary and rare scheme of Sgraffito
murals depicting the Benedicte which were executed in 1888-1890 by the
eminent Arts & Crafts Artist Heywood Sumner. In the spring of 2001 we carried out a trial on methods of
stabilising and repairing the three layer system of the murals.
The success of the techniques designed for this demanding
conservation work has allowed for all priority areas to be treated this
spring and summer. This
accounts for two thirds of the murals.
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Panel 1 above and below
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Panel 1 above |
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< Left - Panel
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Hailes
Abbey
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Architect:
Client: English
Heritage, SW Region.
Repairs to the
ancient masonry.
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Old
Cleeve |
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Architect:
Robert Chambers
Client: PPC of St Andrew's Church
The delightful detail of
this unusual effigy of a civilian dated from the end of 14th
century was becoming obscured by layers of dirt, atmospheric dust and lime
wash. These accumulations on
the surface were hiding historic paint layers and diminishing the overall
form of the sculpture. At
some stage the effigy had been crudely plastered into the recess which
covered original stone surfaces and further decorative surfaces.
The
programme of work included, detailed site drawings and recording,
careful cleaning of the surfaces to reveal the historic layers and restore
the definition of the sculpture, the removal of the jointing material at
the rear of the effigy to reveal hidden details, the removal of the
plaster at the front of the base of the effigy to determine the condition
of the core and the exact dimensions of the stone surface.
After these initial investigations it was decided to remove the
effigy from the recess due to the friable and unstable nature of the core
material beneath the sculpture. Once
the base and core had been consolidated all the surrounding areas to the
effigy were plastered using a lime mortar and finished with three to four
coats of lime wash. The final
cleaning and recording of the previously hidden surfaces of the effigy
were completed and the carving returned to its setting.
Building archaeologist Jerry Sampson prepared a fascinating report
on the effigy and the surrounding archaeology.
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Rope Access - Corfe Castle, Corfe,
Dorset.
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