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Architectural Stone
Repairs
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St Mary
Magdalen, Chewton Mendip |
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The tower
of St Mary Magdalen, Chewton Mendip is 126ft high, one of the
highest in the county. The tower is built of Doulting stone and is an
impressive structure with carved detail on every elevation and a dramatic
crown of pinnacles set off by a pierced parapet. On the west front there
is a life-sized sculpture of Christ set within a niche depicting the
resurrection, surrounded by six angels carved in relief.
The specification was to attend to the tower parapets
and pinnacles, which were in urgent need of repair and to carry out a
comprehensive conservation and repair programme to the west elevation of
the tower below parapet level.
The crowning pinnacles were dismantled where necessary and
rebuilt using a hydraulic lime mortar and stainless steel fixings with code 6
lead dressed to the top surfaces.
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The Tower after conservation
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Tower sculptures before
conservation |
Tower sculptures after
conservation
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Tower sculptures
after conservation. Note the careful choice of shelter coats to harmonise
with the untreated surface behind. Also note the lead protection. |
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The choice of sheltercoat for the carved elements on the
stringcourses as well as the west front sculptures was crucial to the successful
outcome of the project. It is always technically difficult to harmonise
sculptural elements treated with the lime technique on a large structure or
elevation with surrounding untreated surfaces, which retain their patina of
lichens and general weathering. The sheltercoat as well as the repairs must draw
out the detail, design and meaning of the sculptures in relation to their
architectural setting thereby enhancing our understanding of the original
intentions of the builders. The re-pointing mix is also designed to sit back in
the wall and not to distract from the overall form and detail of the tower.
Architect Robert Chambers.
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An extensive programme of repairs was carried
out to the pierced parapet and to the severely damaged grotesques on the top
stringcourse. New sections of stone were carved where conservation was not
possible. As with all the stringcourse sculptures the top surface was protected
with a layer of lime mortar and code six lead.
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String course,
parapet level. Tower sculptures before
conservation
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Tower sculptures
after conservation.
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The
conservation programme to the west elevation included re-pointing where
necessary, lime mortar repairs and pinning to the windows and west door as
well as the cleaning, repair and protection of the sculptures. The figure
of Christ was found to be unstable which necessitated its dismantling,
rebuilding and repair. The six angels retained much of their original
detail however all were all suffering from lamination and hairline cracks
to the surfaces, which required careful pinning alongside adhesive and
surface repairs.
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String course, parapet
level, west face. Tower sculptures before conservation
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Tower sculptures after
conservation. A new stone section was inserted to stabilise the carving.
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Stocklinch |
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This church is in an idyllic
setting in the heart of the Somerset countryside.
Although modest in it’s construction it is most pleasing in its
proportions, design and detail. The
outline of the project was the removal of the reinforced concrete roof from the
tower and replacement with an oak structure and lead covering.
All previous cement repairs and pointing to the tower including the
parapet were to be removed and replaced with lime based materials. The chancel arch tie rod was to be replaced as well as
drainage, rainwater goods and glazing to be made good.
This contract also included conservation work to the monuments inside.
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Before the programme of work
started Eltolene tissue was applied to give protection to loose and vulnerable
areas of Ham Hill stone. During the
removal of the cement the top course of the parapet was found to be unstable.
It was taken down and re-bedded and tile repairs were used to fill in the
extensive voids on the inside of all faces of the parapet.
Bridgwater tiles were used in this area but for the main elevations of
the tower, Cotswold tiles were considered more appropriate.
The whole tower was repointed with a hydraulic lime mortar, supplied by Tout
Quarry HL2, designed with similar properties to the original construction
mortar. However, the ingredients of
the mortar were carefully chosen so that the colour and texture would sit well
with the weathered and lichen covered surfaces of the Ham Hill stone.
Lime mortar repairs were carried out on the windows and decayed surfaces
of the tower stonework
The old concrete roof was
removed and replaced with oak beams which were then lined in lead.
A new stainless steel tie rod was installed.
Conservation to the weathervane and a more stable way of fixing it to the
church roof was designed. New cast
iron guttering was fitted on the tower. In
the south chapel work to the south wall included grouting and the introduction
of tie rods as well as specialist conservation work to the monuments.
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The
Leigh |
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Hazlegrove |
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Client:
The Kings School, Bruton, Somerset.
Description:
Conservation and repairs to the gate piers at Hazlegrove House, King’s
School, Bruton
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Bradford
on Avon |
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St George’s Church, Wembdon, Bridgwater, Somerset |
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Architect – Robert Chambers,
Beech Tyldesley
Client – PCC of St Georges
Church
Description - Conservation to
all faces of the tower and other areas of the church, and restoration of
the tower roof.
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Tower from South West |
Tower from North West |
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St Michael & All Angels Church, Mount
Dinham, Exeter |
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Architect Philip Domville-Musters
Jonathan Rhind Architects
Client - PCC St Michaels Church and English Heritage
St Michael & All Angels Church was designed by Major Rhode-Hawkins in 1864
and built of blue Westleigh stone with dressings in Ham Hill stone.
It is in the early French style with a full cruciform plan, 65ft high
chancel, nave and transepts and a 220ft spire.
<<
Original architects drawing
<<
Click on the picture to enlarge
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Many leading lights in the
Oxford Movement attended the consecration of the church in 1869 and “it seems
to have been intended as a flagship of Tractarian principles in architecture and
liturgy” (Richard Parker, Architectural Archaeologist).
The style of the church follows many of the design principles of Pugin
and the internal decoration is influenced by Butterfield.
Increasing concern about the
ham stone quatrefoil parapets running around the church below the roofs of the
nave, transept and chancel has led to this programme of conservation.
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| The newly carved
apex cross |
The old apex cross |
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St
Mary Magdalen Church, Taunton, Somerset
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Architect
- Allan Harvey
Client - PCC of St Mary
Magdalen
Repairs to the Masonry
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The
fine detail is not visible at this picture size
Click on the picture to view full size |
The
fine detail is not visible at this picture size
Click on the picture to view full size |
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| Newly carved
pinnacle |
Micro pinning
windows |
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| Micro pinning at
work |
Window repair
completed |
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St James's Church,
Taunton, Somerset |
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St Mary the Virgin,
Steeple Ashton, Wiltshire. |
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